Book Endings

Great Book Endings

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Can you think of some of the best book endings?

Book Endings Quote

Great Book Endings from Literature

There are some great book endings out there!

“So we beat on, boats against the current, borne back ceaselessly into the past.” The Great Gatsby, F.Scott Fitzgerald

“After all, tomorrow is another day.” Gone with the Wind, Margaret Mitchell

“Isn’t it pretty to think so?” The Sun Also Rises, Ernest Hemingway

But what is it that makes a great ending and why does it matter?

I just had a great conversation with one of my best friends about the additional epilogue released from Colleen Hoover’s book, Verity. We both agreed we would have been happier if she’d left well enough alone.

But this got me thinking. How many times have I read a book and declared it was great except for the ending? And can you really like a book despite the ending?

Writers are trained to belabor over the first ten pages of a manuscript religiously. It’s what gets sent out to agents and editors, gets revised endlessly in critique groups, but should we be focusing more or at least equally on the ending of a book?

You may have seen me confess on social media that I often read the end of a book before I get there. I’m not exactly sure when or why I started doing this. I think it stems from a few things. 1. I’m super impatient and want to know how it turns out. 2. It’s kind of a guessing game type thing for me. Am I accurately guessing how things will turn out? And 3. I want to see if a book is worth my time. If it’s already slow going, I want to KNOW it gets better or if I should just cut my losses.

I used to feel it was betraying the author or some unwritten rule in the book world if I didn’t finish a book. It was sacrosanct, you start a book, you must finish it. But as I’ve grown older and time has become a more precious resource, I’ve accepted– not all books are worth finishing. If it’s not grabbing me, I can put it down and find something else that does.

That’s why endings need to be prioritized! Everyone’s time is valuable and there is nothing worse than investing time in a story to get to an end that does not provide the appropriate pay-off.

What are your thoughts on book endings?

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Critique Groups Treasure

Critique Groups: Why They’re like Digging for Treasure!

What are Writing Critique Groups and are they worth seeking out?

I recently had an author friend ask me about Critique Groups and how they differed from working with an Editor. I laughed and said they’re like apples and oranges. My Critique Group is composed of other writers in the trenches every day with me, while an editor comes in at the end to help me whip my final manuscript into shape. There’s a reason why of the two, it’s my Critique Group who got an entire paragraph devoted to me gushing about them in my Acknowledgements. So, my answer to the above question is a resounding YES!! Definitely seek one out!

A good Critique Group is a gift and treasure. Over the years, I’ve worked with many Critique Groups and upon examination I’ve identified the traits I feel are the most beneficial and the ones that identify a group not being the right fit. I hope they help you find your own best match.

1. You feel energized and good walking out

Writing is isolating enough. We’re already our own worst critics. So although you obviously want a group to help you identify what’s not working, you hope they do it in a respectful and productive manner. 

I once workshopped a piece with a group where they told me every single thing that was wrong with my writing, but did not offer a single compliment about something I did right. Needless to say, I left feeling like a failure and never returned to the group again.

In my current groups, I can almost predict the things they’re going to “ding” me on as I’m writing. They definitely point out my lapses and flaws in my chapters. But they also make sure to build me up and point out what I’m doing right. By the end of a session my creative cup feels full and I’m itching to get back to the page.

Critique Group

2. There is trust and camaraderie.

Sharing a work in progress is like baring a piece of your soul. You need to feel a sense of trust with these people. You also need to feel like you can share the ups and downs and ALL the emotions that go into the writing process.

Not only that, you need to feel like the group will meet you where you are in your journey and help you overcome the obstacles in your way. They are your support system. 

Have a writing dilemma and need to talk it through? They’re willing to fit in an as needed phone call to talk you off your ledge. Finding it difficult to find time to write? They’ll help provide accountability to get your butt in the chair. 

When you’ve found the right fit, there’s flexibility and acceptance and you never feel alone.

3. There’s continuity and you’re equally committed.

One of the things I find most beneficial about good Critique Groups are they see a project through from beginning to end. However, I’ve also worked with groups that felt like a revolving door of people. It was like starting from scratch repeatedly. 

I think this one might depend on the type of writing you’re doing and workshopping. If you’re a short story writer, the style of critique group where you come and go when you can might work. But if you’re workshopping a novel, continuity is key. 

It is frustrating to provide backstory for an entire novel when I’m workshopping Chapter Ten because someone is fresh eyes just coming in for the first time. I want people who are committed to being with me, workshopping for the long haul. 

I know Critique Groups might not be for everyone. There are some who really do work best in isolation. But for those like me, where a good Critique Group might feel like a lifeline, I hope these tips for assessing your options will help.

Places to Find Critique Groups:

Authors Guilds and Writing Conferences– See my previous post on the benefits of Author Guilds, but one of my benefits was I found both my current Critique Groups through SCBWI. One, I found originally through our regional Critique Group coordinator. The other I found attending our regional Fall Conference. We met in one the workshops and went out to Happy Hour after.

Facebook Groups- There are a TON of awesome writing groups on Facebook. Take the time to just enter Critique Groups, beta readers, ARCs or whatever need you have and you’ll find a tons of resources that can help.

Meetup- There is a Meetup group for everything! So, you can definitely find writers. Depending on your area, you might even have options for either meeting in person or virtually. But, this is another great place to see about finding your people.

Hope this helps! Good luck finding your people!

If you enjoyed this post, explore more of my Empowering Authors to Bloom blog series:

Self editing for fiction writers

Self Editing for Fiction Writers

Self Editing is difficult for writers. It feels overwhelming. But it doesn’t have to be.

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Editing

Tips for Self Editing for Fiction Writers

Self Editing for Fiction Writers is a crucial step in the publishing process. And yet many authors find it intimidating and don’t know where to start. Hopefully, this article can help.

I want to be clear, I still believe every author should have a professional editor look over their work before publishing. But to help offset costs, you should always try to do a round of self editing first. Here are some effective tips for Self Editing for Fiction Writers.

1. Take a Break

It might sound counterintuitive, but after finishing your manuscript, take a break. A few days, or even weeks, away from your work can provide the distance needed to see it with fresh eyes.

2. Read Aloud

Reading your work aloud helps catch awkward phrasings, repetitive words, and errors you might miss when reading silently.

3. Check for Consistency

Ensure consistency in character names, descriptions, settings, and timelines. Keep a list of details to cross-check as you edit.

4. Eliminate Redundancies

Cut unnecessary words, phrases, or sections that do not add value to your story. Be concise and to the point.

5. Pay Attention to Grammar and Punctuation

Use grammar and spell-check tools to catch basic errors. Consider using professional editing tools like Writer’s Work, Grammarly, or Scribendi. These can provide additional layers of checks for grammar, style, and readability. However, don’t rely solely on these tools– manual review is essential for catching nuances and contextual mistakes.

6. Vary Sentence Structure

Ensure a mix of sentence lengths and structures to maintain reader interest. Avoid repetitive sentence beginnings and structures.

7. Strengthen Your Dialogue

Ensure your dialogue sounds natural and distinct for each character. Read dialogue aloud to see if it flows naturally and reflects each character’s voice.

8. Show, Don’t Tell

Look for places where you can show rather than tell. Use descriptive language to create vivid scenes and convey emotions through actions and dialogue.

9. Cut Adverbs and Weak Words

Replace weak verbs and excessive adverbs with stronger, more precise language. This makes your writing more dynamic and engaging.

10. Review for Passive Voice

Identify and revise sentences written in passive voice. Active voice often makes your writing clearer and more direct.

11. Edit in Stages

Focus on different aspects in separate editing passes— one for structure and plot, another for character development, another for grammar and punctuation, and so on. This ensures thoroughness and lessens the chance of overlooking issues.

12. Trust Your Instincts

Finally, trust your instincts. If something feels off, it likely is. Don’t be afraid to make changes, even significant ones, to improve your manuscript.

By following these tips, authors can significantly enhance the quality of their manuscript, making it ready for professional editing.

Ready to look for a professional editor? Did you know I provide Editing Services? Reach out at hello@joyanapeters.com for more information!


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Book Writing Software

The Best Book Writing Software

There are SO many author software programs out there. How do you weed through and find the best book writing software? Read here to find out!

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Finding Your Favorite Book Writing Software

Determining my all-time favorite writing program is tough. As, I said above there are so many programs out there– all claiming to be the best book writing software. It’s overwhelming! And they serve such different purposes.

Like, anyone who knows me, knows I’m a HUGE outliner. So, Scrivener has been lifesaving when it comes to organizing my notes and busy brain. My walls in my office area used to look like police procedural crime boards with all my note cards hanging up.

But I use and love other programs for different parts of my writing process also. And I feel in many ways those are equally as lifesaving. So, I think I’ll answer this question most effectively if I highlight my favorite programs for different parts of my writing process.

Outlining Software

As I stated above, I love Scrivener‘s Corkboard feature. But to actually create my outlines and help me with figuring out my story, I use Save the Cat. And yes, I love the books that you’re probably thinking of when I say this, but Save the Cat has software as well now. And man, is this software life altering.

So, I love the Save the Cat beat sheet. If you follow my blog, you’ve probably seen my post on my Outlining Franken-Joyana system, where I use the Save the Cat beat sheet in conjunction with Story Genius and Plot Whisperer. If not, make sure you check it out. I swear the system works and makes the writing process SO much easier!

But anyway, back to Save the Cat, what I love about their software is it’s a full story planning program. It forces you to really think and break down your character development, scene creation and world building etc. It also offers writing prompts for when you get stuck. There’s also a writer’s board where you can keep everything in one place and track changes and plot out different versions of the story. You can even track certain characters, relationships and objects in the story to make sure they continue to appear and don’t get lost in development.Overall, I’d say the difference is Save the Cat is a guided “crafting” and story building program for outlining. Where in Scrivener you can build an outline, but it’s not going to “help” you do it. For me, I’d say Save the Cat wins for Outlining.

Drafting Your Story Software

Save the Cat can technically be used as a writing program as well. Like Scrivener it also has the capability to develop chapters from your beat cards. However, I have to be honest, Save the Cat‘s drafting and writing features are nothing compared to Scrivener‘s. I’ve also gotten by for years just using Word. But I got sick of having a bazillion files in my Dropbox folder and wasting time figuring out which draft was the most up to date. I also hated having so MANY tabs constantly open while I was writing so I could flip back and forth to what I needed research-wise while drafting.

Author Programs

Enter Scrivener. Basically, as a historical fiction writer, Scrivener keeps me sane and organized. I can upload all my research finds, my outline cards, my drafts and keep everything in one place. I no longer have to deal with a bazillion open tabs and bookmarks to saved links. Scrivener has definitely streamlined my process. So, for me I’d say Scrivener wins for Drafting.

I will add a disclaimer here though and say Scrivener is definitely not necessary for everyone. It has a steep learning curve and some might feel it is overly complicated. As I stated above, it works for me as a historical fiction writer because I have A LOT of notes and research to keep track of. But the average author might not need all the bells and whistles Scrivener offers.

Formatting Software

Lastly, as an Indie author I’ve found that formatting is another key part to completing/ preparing your book for publication. I’ve definitely gone through the gamut of these programs. I first started with Calibre which anyone who’s used it can relate to what a hair pulling stressful experience that was. I then became a diehard user of Vellum. Definitely a major improvement. But I’ve recently been converted over to Atticus.

First, I love that you don’t NEED to have a Mac to use it. As an Author Coach, I love that I can recommend it to all my self-publishing clients. I also love that you can format your books into Large Print which Vellum can’t do.

In general, I’ve just found it to be a better bang for my buck and a more flexible program than Vellum. So overall, in formatting– it’s Atticus for the win.

I hope this was helpful for seeing my arsenal for my writing process. But one thing I want to reiterate, what works for me might not be the best for you. Just like everything in the writing process, it’s deeply personal and one size does NOT fit all. Some of these programs offer free trials. If you can, try them on for size before committing.

What do YOU think are some of the best book writing software programs? Please share in the comments below. Thanks everyone!

If you enjoyed this post, here are a few more that might interest you:

Author's Purpose

Author’s Purpose- What is your purpose for writing?

Every author is different. We all measure success differently so how do you determine your Author’s Purpose?

Purpose

An Author’s Purpose and Measuring Success

Being asked how you measure success is a difficult question to answer. Honestly, it’s a question I sometimes dread because it is so abstract and variable. As our author businesses continue to grow, our measurement of success changes. But to indicate our goalposts for these measurements, we need to know what our author’s purpose is. Why are we writing?

Determining Our Goals Based Off Our Personal Situation

Every author begins their business at a different point in their life and for different reasons. There’s the retiree who is writing to fulfill a bucket list dream, and they will have a different goal than the person trying to make a living from their writing. But, it’s important to remember that no goal is worth more than another. All goals are meaningful and fulfill individual needs for success. However, they do need to be treated differently with different expectations and different approaches to our marketing and businesses.

Setting our Author’s Purpose Benchmarks for Success

Often times when people are asking about success, they’re asking about financial success. That might be valid for the author trying to make a living, but is that necessarily the best measurement for the retiree fulfilling a dream? This is important to consider because these two different authors might have different outlooks. And those should not be measured the same way. Remaining true to your authentic author’s purpose will help you set individualized goals that work for you.

We must also remember that success can be measured in many ways, aside from just financially. For that retiree, they might want to measure it as just getting the book published and out there. Or in the hands of readers outside of their family. That reader trying to make a living might look at trying to hit a certain monetary number or some other marker for financial independence.

Creating Realistic Benchmarks for Success

One thing that is important to note, is just like in any goal setting, you want to make sure you are setting attainable, actionable goals rather than abstract BIG goals right off the bat. For instance, I want to be financially independent and living off my writing is not a good starter benchmark for success. One, it’s setting you up for frustration and “failure” because that won’t happen overnight from one book launch. And two, it’s very difficult to measure.So, make sure you’re coming up with specific examples and measurable goals when creating your benchmarks.

Another important thing we need to remember is to include benchmarks that measure our success along the way.It’s good for all of our mental health to measure how far we’ve come rather than just focusing on where we want to end up. And this should also not be solely focused on financials. Perhaps you could measure success by the amount of reviews posted. Or making your return of initial investment. These are HUGE accomplishments to celebrate as well. Basically, make sure you enjoy the ride along the journey. And keep patting yourself on the back often. Writing is not easy, and remember just by completing a book you’re already ahead of many.


What are some benchmarks YOU’VE used to measure success?


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Is Self Publishing Worth It? Header

Is Self Publishing Worth It?

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Why Self Publishing was Worth It for Me

Once upon a time there was one path to publication. An entire industry grew to support this path– agents, editors, publishing houses etc. But although the industry made money, was it in the best interest of the authors? Over time, we all grew to just accept this was the process, and you didn’t go into writing to make money. But times have changed. And now, there is definitely another path to publication. The question often asked though, Is Self Publishing Worth It? Let’s examine:

In December of 2020, I made the decision to self publish and officially submitted my completed manuscript to an editor. One MFA, ten years, two kids and I decided to turn my manuscript baby into my first published novel myself. I knew the next six months would be rough, going through rounds of edits, formatting, publishing, marketing, learning the ropes of everything as I went. All while still balancing real life with a day job and family and in the midst of a pandemic. But I was making it happen. However, people kept asking why I was going that path. Why wouldn’t I at least try the traditional path?

My answer was– I did my research. Much like I do for my historical fiction writing, I dug deep to get all the facts. My takeaway– it was the best path for me. Here’s why.

Is Self Publishing Worth It?

Understanding you HAVE a Choice

I chose self publishing as a conscious choice. It was not an after thought, it was not me giving up because of rejection. I WANTED to self publish and I want others to understand that. Both as readers and also as other writers contemplating self publishing for themselves. Because the most important thing of all, is the freedom to choose your own path. As with every major decision in life, there are pros and cons to weigh. This was the path I chose, but it will not be right for every author.

There’s a stigma still attached to self publishing. But I question if that remains because of simple misinformation. Does the public truly know enough about the industry? Today I hope to alleviate some of those negative associations and help others understand why self publishing is worth it.

Consider Your Time

I know plenty of writers. Extremely talented writers, sitting on amazing manuscripts, waiting for their chance to come. They send endless pitch letters, praying to be accepted. I know writers who HAVE been picked up by agents. But then, the process take years till publication. And they were still responsible for all the marketing themselves and only claiming about 10% of each sale. I heard repeated over and over that writers don’t go in it for the money, it’s for the love of the art, right? But in this digital age where anyone with a voice and an internet connection can build a following and make a living should that really still be the case?

There are self published authors who give credence to the hack stigmas. But there are also extremely talented, big name authors out there who either began their careers by self publishing or who are now leaving their traditional publishing houses to voluntarily self publish moving forward. Why? Because it makes more financial sense! And it gives an author complete independence and authority over their work and their timeline to publication.

Taking a Look at the Numbers-

Many authors assume traditional publishing is the way to go because of the advance. You do get an advance up-front. While in self publishing you must lay out your own publishing expenses. However, those advances are much smaller than they once were. Newbie authors in 2024 can expect to see an advance somewhere between $1,000- $10,000.

But there’s a downside to that advance as well. Authors don’t see royalties until their advance is repaid. And according to the Penguin/Random House/Simon Schuster anti-trust trial in 2022, it was revealed that out of the 58,000 trade titles published each year, half of those titles sell less than one dozen books. Therefore, many newbie authors do not ever sell enough copies to make that advance back. If you do, depending on the contract, you might only see 10-15% per copy.

In contrast, you see your royalties immediately when you self publish. And in self publishing you can get up to 70% per copy.

The Actual Budget for Self Publishing

How much are you actually laying out to self-publish a book? Considering you control the choice of vendors you work with, you can control your budget. The real non-negotiable expenses should be your cover designer and your editor. You MUST get your book edited to stand professionally against traditionally published books. (That’s how you avoid the hack stigma!) With these and other preparation costs- Getting an ISBN number, purchasing layout software or getting a vendor to do that for you etc.- I’d say, you can self publish a professional looking book for somewhere between $3,000-5,000.

A Side by Side Comparison

Basically, the numbers favor self publishing for authors. Self Publishing is worth it, it’s very hard to dispute that. It’s also hard to dispute the autonomy self publishing offers. However, not all authors want the pressures of that decision making. There are also authors who are less comfortable with technology and the idea of formatting and uploading everything themselves. And that’s ok! Again, that’s why I say the important thing here is the freedom to choose.

Just know that you as the author are in the driver’s seat. You wrote the book, therefore you get to decide how you want to publish it. But please treat this decision as a business decision! Because this IS a business. Even if you’re publishing just to see your words in print, you still should aim to make money off of it. No other business in the world expects people to just do it out of love. No plumber fixes a toilet for free or pennies because he loves plumbing. Therefore, neither should authors.

So, no matter your path, make sure you negotiate, ask questions and advocate for yourself as the small business owner you are. Good luck!

Feel like you need support in navigating your author journey? Book a coaching call with me today and let’s discuss how you can achieve YOUR author business goals! I work with ALL authors regardless of their publishing paths at all phases of their career.

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