Writing Schedule

Planning a Book Writing Schedule

You’ve decided to write a book. Yay! But how do you manage your time to make sure you finish it? Learn how to create a writing schedule.

Writing Schedule

Mastering the Book Writing Schedule

Let’s be real, it’s a lot easier to SAY you’re going to write a book than to actually do so. There’s a reason why the majority of people who set out to accomplish this don’t. But there is a major tool the successful have in their arsenal. A writing schedule. A REALISTIC one. Let’s break down what that looks like below.

Learning Your Writing Style/Stamina

The first thing you need to do is pay attention to how long it really takes you to write a chapter. And how can you best accomplish that?

I used to believe I could only write in long stretches of uninterrupted time. Then I returned to teaching and got into the stage of kid chauffeuring. I’ve realized I needed to tweak my writing style if I wanted to maintain my productivity. Luckily, an author friend of mine recommended Immersive Writing Sessions. These have been life-altering for me! This particular playlist by Abbie Emmons also offers a cute, visual way to keep me on track.

They’re designed to follow the Pomodoro method of twenty minutes of targeted, uninterrupted time followed by a five- minute break. She also has them timed to be four sessions that add up to two hours total. They’re perfect for me to get in my two hours a day while fitting my more on-the-go lifestyle. I can realistically assess when I can grab twenty minutes of uninterrupted time- like right after a class ends before I have to grab my kids or in the parking lot outside ballet. And yet it adds up to two hours of productivity over the course of the day.

So, I count by chapter. I know if I keep to this schedule regularly- I can complete 1-2 chapters a week. I’m a slow writer with historical fiction- working on it. But there are also different ways to calculate this. For instance, my author friend who recommended the sessions- she uses Save the Cat and counts by beats. She knows it takes her 16 hours, roughly, to complete a beat.

Drill down what works for you, but first try getting into a regular routine with your writing for a few weeks and pay attention to your output and notice patterns. THEN you can move on to the next stage.

Drafting Your Writing Schedule

Once you can estimate your output, you can look ahead to the calendar. One thing I’ll mention is it really helps if you have a planned outline so you know how many chapters your book will contain. I know I’m alienating pantsers here, but the planning ahead really will help. Check out my blog post on Outlining Strategies to help with this.

For instance, I know my book will have about thirty-two chapters. So, now knowing my usual output each week, I can count ahead how many weeks it will take me to complete the book.

Now, here’s where realism comes in. I also look ahead for what life obstacles are going to impact that. For instance, when the kids are off from school and going to be home disrupting me. When I’m going to have papers due to grade for my students. Or family in town visiting, travel plans, holidays, etc. These things all need to be considered because you will NEVER write as much as you think you will during these life events. So, plan for them instead of being disrupted and feeling like a failure later.

Revisions and Editing

A few things to consider for the end. One. Make sure you build in buffer room. There WILL be other life events you could not have anticipated or planned for. Like the week’s worth of Snow Days that had kids home and threw off my schedule last week. Or sickness, etc. So, make sure you add in an extra week or two for breathing room.

Two. You also need to build in Revision and Self-Editing time. I usually leave myself a few weeks to go through big-scale revisions and self-editing. I also ALWAYS recommend working with a copy editor. So, you will need to build in time for that as well. Most copy editors need at least a month to complete their edits. You will then also need time to implement their feedback.

Final Thoughts on Book Writing Schedules

I know this probably seems like a lot and like it will take forever. Writing a book is not for the faint of heart. There are ways to do it faster. I know there are people who can knock out books in a few weeks to a month. NanoWriMo right? I’d caution that these are the exceptions though. And they have most likely cleared their schedules to completely prioritize nothing but writing for that period of time. That is another approach. Although a more difficult one when you’ve got other obligations.

However, this writing schedule approach is to help you avoid the trap of allowing it to drag on forever. I say this as someone who has fallen into that trap the past few years trying to balance life and this final book of my trilogy. So, finding that right balance of reality vs. upholding expectations is crucial.

Good luck everyone and happy writing!

Do you have any other writing schedule tips that have worked for you? Please leave them in the comments below! Thanks, I look forward to hearing them!

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Sneak Peek Seventh Edition: The Girl in the Newsroom

Sneak Peek Seventh Edition: The Girl in the Newsroom

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A New Chapter for Ruth

You have had the chance to get a glimpse of some big changes for Ruth, but they just keep coming! Are you getting excited about your reunion with Ruth yet? In case you missed it, this is the SEVENTH Sneak Peek drop for “The Girl in the Newsroom”. If you missed any you can find them all linked below or on my Goodreads.

Joyana Peters: Coming Soon

The Girl in the Newsroom

November 1921

“I told you this one would look perfect on you!” Chayele squealed. She clapped her hands together in glee. “Just wait till Hal sees you!”

Ruth examined herself in the mirror and cringed. The dress was beautiful, but it was so not her. It was an emerald green in a light chiffon fabric she’d never worn before. The arms were completely bare and it had beading at the waist with a flourishing flounce of fabric at the side. “I feel exposed. Look how much skin you can see!”

Chayele clucked. “It’s perfectly modest. I gave you one of my highest necklines. Besides I’ll give you a fur to wear.”

“But I can’t wear the fur indoors. My arms will be on display all night!”

Chayele rolled her eyes. “As will every other lady’s in the room. Don’t you ever wear evening dresses? None have sleeves anymore.”

Ruth felt her cheeks burn. No, she didn’t. Because she barely went out at night. Hence why she felt like a fish out of water accepting Hal’s invitation to accompany him to a fancy charity ball. She knew this was a bad idea. She’d been swept away by the magic of the week.

She’d seen Hal twice more. Once for a movie and once for dinner. Each time she was surprised by how relaxed she felt with him. It was so easy to talk to him and he made her laugh. Often. She couldn’t remember ever laughing this much before. And every moment with him was a new experience. A new world even! She’d never gone to restaurants like this before, where waiters stood at attention ready to replace a napkin immediately after it was soiled.

To be fair, she’d never eaten in any restaurant before that wasn’t kosher. She’d felt a twinge of guilt as they lounged over coffee after dinner and shared a frosted cake for dessert. She knew Tatty would have her head if he knew. But everything had been so delicious and decadent.

And what a luxury to sit and take your time over a meal! To not have to worry about doing the dishes and cleaning up once complete. She’d been reveling in this relaxing experience when he asked her to accompany him to the ball.

“Come with me to a ball tomorrow night.”

“What?” She must have misheard him.

“A charity ball. I need a date. Want to go with me?”

“A ball? Like from Cinderella?”

He laughed. “Yup,. But instead of glass slippers they’re collecting money for the hospital. Freidrich and Chayele will be there.”

“Oh.” She nodded. “Okay then.”

Read more of “The Girl in the Newsroom” while you wait for the book!

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Blockbuster shift in books

Famous Actors- The End of Blockbuster Names

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Books and movies have always had a special relationship, so what does the end of famous actors in movies mean in books?

I recently watched a movie on Netflix with my husband and realized there was not a single actor or actress I had heard of in the movie. We discussed it and realized that’s happening more and more these days. I used to think it was because I’m getting older and more out of touch. But then I did some digging as I’m apt to do and found this is actually a “thing” now. 

Publisher Rocket


In the past there were always the gatekeepers. The content curators. Studio heads would greenlight the few movies made each year. Or choose the main channel shows for the fall season. Therefore, content exposure was limited. We only got to partake in what the curators chose for us. 


However, that’s all changed with streaming platforms. Movies and shows now launch with regularity. Suddenly we can get access to almost anything. You can go down rabbit holes of niche topics and shows. Gone are the days when the curators kept us limited. 


But with that constant stream of content there are less and less of those big Hollywood “stars”- those famous actors we all knew- rising to the top with the notoriety of the past. How could they? They can’t be cast in everything. More actors HAVE to come to the stage and play.

Famous actors

The same is happening in publishing. With self publishing becoming more popular and writers launching new books with regularity there is just more content out there. More content equals more competition and less opportunity to rise to the top like the John Grishams, J.K. Rowling, Stephen King and other “blockbuster” writers of the past.

So, does that mean that fame and fortune is a thing of the past? Will there no longer be famous actors like Jennifer Aniston or Brad Pitt? Possibly.


I can honestly say I’m okay with that. This might sound surprising coming from me as a writer. Wouldn’t I want the possibility of becoming a “blockbuster” success? Yes, but so few ever got to be. Whereas, in this current oversaturated market it’s anyone’s game. How though?

It’s all about niche marketing. Think about it. As content consumers we all have our particular genres of books and films we prefer. Netflix sets up our recommended for you algorithms as does Amazon. There are also the follow buttons. If you like an author’s book you can follow them on Amazon, Goodreads and Bookbub. Then you get an alert whenever they publish something new. 


I do this with all my favorite authors. And as soon as I get that alert, I know to preorder the next book they have coming out. I just did this with Deborah Harkness’ new book Blackbird Oracle (was fabulous by the way) and Lynda Cohen Loigman’s The Love Elixir of Augusta Stern. 


However, these systems still garner loyalty. Just like you’d always go see the new Julia Roberts movie, you’re continuing to follow people you like. It’s just more spread out and catered to your specific tastes. 
In the long run, I feel it’s a more equitable and sustainable market. What are your thoughts on the matter? Are you enjoying the availability of more content or do you miss the days of content curators? As always, I’d love to hear your thoughts on the matter.

Critique Groups Treasure

Critique Groups: Why They’re like Digging for Treasure!

What are Writing Critique Groups and are they worth seeking out?

I recently had an author friend ask me about Critique Groups and how they differed from working with an Editor. I laughed and said they’re like apples and oranges. My Critique Group is composed of other writers in the trenches every day with me, while an editor comes in at the end to help me whip my final manuscript into shape. There’s a reason why of the two, it’s my Critique Group who got an entire paragraph devoted to me gushing about them in my Acknowledgements. So, my answer to the above question is a resounding YES!! Definitely seek one out!

A good Critique Group is a gift and treasure. Over the years, I’ve worked with many Critique Groups and upon examination I’ve identified the traits I feel are the most beneficial and the ones that identify a group not being the right fit. I hope they help you find your own best match.

1. You feel energized and good walking out

Writing is isolating enough. We’re already our own worst critics. So although you obviously want a group to help you identify what’s not working, you hope they do it in a respectful and productive manner. 

I once workshopped a piece with a group where they told me every single thing that was wrong with my writing, but did not offer a single compliment about something I did right. Needless to say, I left feeling like a failure and never returned to the group again.

In my current groups, I can almost predict the things they’re going to “ding” me on as I’m writing. They definitely point out my lapses and flaws in my chapters. But they also make sure to build me up and point out what I’m doing right. By the end of a session my creative cup feels full and I’m itching to get back to the page.

Critique Group

2. There is trust and camaraderie.

Sharing a work in progress is like baring a piece of your soul. You need to feel a sense of trust with these people. You also need to feel like you can share the ups and downs and ALL the emotions that go into the writing process.

Not only that, you need to feel like the group will meet you where you are in your journey and help you overcome the obstacles in your way. They are your support system. 

Have a writing dilemma and need to talk it through? They’re willing to fit in an as needed phone call to talk you off your ledge. Finding it difficult to find time to write? They’ll help provide accountability to get your butt in the chair. 

When you’ve found the right fit, there’s flexibility and acceptance and you never feel alone.

3. There’s continuity and you’re equally committed.

One of the things I find most beneficial about good Critique Groups are they see a project through from beginning to end. However, I’ve also worked with groups that felt like a revolving door of people. It was like starting from scratch repeatedly. 

I think this one might depend on the type of writing you’re doing and workshopping. If you’re a short story writer, the style of critique group where you come and go when you can might work. But if you’re workshopping a novel, continuity is key. 

It is frustrating to provide backstory for an entire novel when I’m workshopping Chapter Ten because someone is fresh eyes just coming in for the first time. I want people who are committed to being with me, workshopping for the long haul. 

I know Critique Groups might not be for everyone. There are some who really do work best in isolation. But for those like me, where a good Critique Group might feel like a lifeline, I hope these tips for assessing your options will help.

Places to Find Critique Groups:

Authors Guilds and Writing Conferences– See my previous post on the benefits of Author Guilds, but one of my benefits was I found both my current Critique Groups through SCBWI. One, I found originally through our regional Critique Group coordinator. The other I found attending our regional Fall Conference. We met in one the workshops and went out to Happy Hour after.

Facebook Groups- There are a TON of awesome writing groups on Facebook. Take the time to just enter Critique Groups, beta readers, ARCs or whatever need you have and you’ll find a tons of resources that can help.

Meetup- There is a Meetup group for everything! So, you can definitely find writers. Depending on your area, you might even have options for either meeting in person or virtually. But, this is another great place to see about finding your people.

Hope this helps! Good luck finding your people!

If you enjoyed this post, explore more of my Empowering Authors to Bloom blog series:

Sneak Peek Sixth Edition: The Girl in the Newsroom

Sneak Peek Sixth Edition: The Girl in the Newsroom

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Hot Off the Press!

I have mentioned in my newsletters that this fall has brought big schedule changes for me, which has meant changes to my writing time. It has definitely meant dedication to managing distractions, but I am excited and proud to say this has not meant changes in productivity. That means Ruth is back again, to share a bit more of what she is up to. Find the latest Sneak Peek of The Girl in the Newsroom below, as well as links to all the other sneak peeks!

The Girl in the Newsroom

The Girl in the Newsroom

November 1921
Ruth’s brain whirred as she typed away on her typewriter. She’d been regularly writing more feature stories and breaking news assignments. She’d even been called into the editor-in-chief, Cahan’s office at least once now for a face-to-face. He actually knew her name!

David assured her he always did, but Ruth still doubted. She knew she had him to thank for this new attention, but David insisted it was her own doing. She believed she had the talent now and was capable. But she knew David was the one who gave her the push and she still relied on his input heavily. He was also the one who magically made assignments appear on her desk.

She knew there were whispers. She heard them. The other reporters, wondering what was going on between her and David. She also noticed Shayna and the other females in the office appearing colder and less friendly towards her. She’d arrived crying on Chayele’s doorstep not that long ago when the women had purposefully stopped talking and stepped away from her in the elevator when she entered one day. Chayele scooped her up in a hug and told her to ignore them.

“They’re jealous.” Chayele rubbed Ruth’s back in swirling circles. “Unfortunately, even though it’s tough enough breaking into this man’s world, us women like to somehow make it harder. Instead of patting each other on the back for success like the men do, we get petty and vindictive and ice each other out.

It was the same for me in nursing. I’ve always been a good nurse. I held my own in the most stressful situations during the war and picked up a decent amount of medical knowledge along the way. I earned my way into surgeries. But as soon as other nurses learn I’m married to a surgeon, forget it. I’m a pariah. It’s lonely, but I move on and focus on the work instead.”

She heard a throat clear, jolting her from her musings. She looked up and saw Hal standing before her. Her stomach dropped and her heart began to flutter.

“Hal! What are you doing here?” She bolted to her feet, banging her knee on the typewriter in the process. She rubbed her knee and tried to hide her cringe.

He reached out and his face clouded with concern. “Oh, are you alright? I didn’t mean to startle you.”

She waved him off. “I’m fine. Just a klutz.”

“Well, that didn’t go quite as planned.” He smiled. “Although, I did want to surprise you. I’m in town for the week and was hoping we could go for another walk.”

“Oh.” Ruth glanced around the newsroom. Sure enough, some eyes were definitely darting towards her and the Congressman. 

She knew she crossed the line about familiarity with subjects a while ago with her letters. But this would be declaring it to the whole newsroom. Why did he have to appear at her work?

“As wonderful as it is to see you, I have a big deadline and now’s really not a good time.”

His face fell. His excitement dampened. “Oh, I see. Your deadline’s important, of course. I just came all this way and am only here a few days. I was really hoping to see you.”

Ruth’s stomach turned. What was she doing? She wanted to walk with him also! Taking a deep breath, she decided it was time to channel Chayele. She needed to stop caring what everyone else thought.

“You know what? The article can wait. “I’d love to take a walk with you.”

Hal’s eyes lit up again and he grinned. “Great! We’ll keep it short.”

She grabbed her hat and coat and ignored the stares as she followed him from the newsroom. They descended the stairs together to the street below.

Have you read all The Girl in the Newsroom sneak peeks?

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Self editing for fiction writers

Self Editing for Fiction Writers

Self Editing is difficult for writers. It feels overwhelming. But it doesn’t have to be.

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Editing

Tips for Self Editing for Fiction Writers

Self Editing for Fiction Writers is a crucial step in the publishing process. And yet many authors find it intimidating and don’t know where to start. Hopefully, this article can help.

I want to be clear, I still believe every author should have a professional editor look over their work before publishing. But to help offset costs, you should always try to do a round of self editing first. Here are some effective tips for Self Editing for Fiction Writers.

1. Take a Break

It might sound counterintuitive, but after finishing your manuscript, take a break. A few days, or even weeks, away from your work can provide the distance needed to see it with fresh eyes.

2. Read Aloud

Reading your work aloud helps catch awkward phrasings, repetitive words, and errors you might miss when reading silently.

3. Check for Consistency

Ensure consistency in character names, descriptions, settings, and timelines. Keep a list of details to cross-check as you edit.

4. Eliminate Redundancies

Cut unnecessary words, phrases, or sections that do not add value to your story. Be concise and to the point.

5. Pay Attention to Grammar and Punctuation

Use grammar and spell-check tools to catch basic errors. Consider using professional editing tools like Writer’s Work, Grammarly, or Scribendi. These can provide additional layers of checks for grammar, style, and readability. However, don’t rely solely on these tools– manual review is essential for catching nuances and contextual mistakes.

6. Vary Sentence Structure

Ensure a mix of sentence lengths and structures to maintain reader interest. Avoid repetitive sentence beginnings and structures.

7. Strengthen Your Dialogue

Ensure your dialogue sounds natural and distinct for each character. Read dialogue aloud to see if it flows naturally and reflects each character’s voice.

8. Show, Don’t Tell

Look for places where you can show rather than tell. Use descriptive language to create vivid scenes and convey emotions through actions and dialogue.

9. Cut Adverbs and Weak Words

Replace weak verbs and excessive adverbs with stronger, more precise language. This makes your writing more dynamic and engaging.

10. Review for Passive Voice

Identify and revise sentences written in passive voice. Active voice often makes your writing clearer and more direct.

11. Edit in Stages

Focus on different aspects in separate editing passes— one for structure and plot, another for character development, another for grammar and punctuation, and so on. This ensures thoroughness and lessens the chance of overlooking issues.

12. Trust Your Instincts

Finally, trust your instincts. If something feels off, it likely is. Don’t be afraid to make changes, even significant ones, to improve your manuscript.

By following these tips, authors can significantly enhance the quality of their manuscript, making it ready for professional editing.

Ready to look for a professional editor? Did you know I provide Editing Services? Reach out at hello@joyanapeters.com for more information!


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